With this view of the forest, the colors are very unnatural but the result is believable and interesting. While painting this oil I continued to lay in new colors, pushing this forest view beyond the typical portrait of a place. This wood doesn't exist in nature but it easily recognizable for what it is, a stand of trees receding into space. As the painting developed, different lighting options were tried out: color, brightness, shadows-no shadows and more. Finally, I decided on a soft, yellow glow that permeated everything, making it difficult to find the source of the light. There is a bit of sky in the upper right, but it's not a focal point and that is the nature of this Saccades series. The composition draws the eye across the canvas in all directions without resting. It's an interesting result seeing this oil on the wall because the entire canvas becomes an art object rather than a picture of a place. The large oil transcends the pictorial and becomes a glowing presence in the room. It was a satisfying task to create this delightful and intriguing place. About the Saccades Series here: "Since the late 19th century, researchers have been aware of the phenomenon of saccades, the rapid movement of the eye as we shift our attention from one thing to another. As a result, vision itself is discontinuous. We construct a “map of reality” from saccades much as a film editor puts together a scene from individual camera takes." From an article by the film maker Earl Morris, NY Times